The Macros group consists of New and Delete buttons, along with a new and extremely handy Duplicate button. Better still, there are now additional buttons grouped between actions that apply to Macros and those that apply to Commands within Macros, replacing the three confusingly general-purpose buttons of the past.
A new divider control between the Key Commands and Macros views now allows this to be varied. Working with Macros has been made easier with new, sensibly grouped buttons.The Macros section of the Key Commands window used to be fixed at 10 rows of text, even though the window itself was resizable.
This window and its functionality haven't changed since Cubase SX was released back in 2002, and although the changes aren't perhaps earth-shattering, it's nice to see somebody at Steinberg still cares.
#Is it possible to crack cubase pro#
There are also welcome and overdue improvements to the way Macros are created in the Key Commands window, in Cubase Pro and Artist 10.5. In the case of Cubase 10.5, this includes enhanced graphical performance, and simple tweaks like the ability to name folder tracks when adding them from the Add Track windows. Now, how about adding a secondary Comparison Channel? Macro BionicĪs always, supplementing the headline features of a new release are a number of less glamourous-sounding improvements scattered throughout the update, and it's these that often turn out to be the most useful. This feature is clearly designed to make it easier to EQ one track/channel against another, although no doubt some will find less-obvious use cases for employing it. The focus of the Reference and Comparison Channels can be toggled to determine the EQ curve being edited, and, usefully, these Select buttons also offer duplicate Solo buttons. The Reference Channel is the selected track/channel (or the one from which the Channel Settings window was opened), while the Comparison Channel (including the master output) can be selected from a pop-up menu. This can now display either the signal before the EQ processing or a post-EQ, peak-hold curve, with variable transparency.Ĭubase Pro 10.5 also provides a new a Comparison Curve that, when enabled, shows two spectral curves overlaid within a single EQ Display: the Reference Channel in blue and a Comparison Channel in orange. More significantly, there are some enhancements concerning the useful FFT that can be shown behind the curve in the EQ Display area. Firstly, there's now a more-obvious settings button where the visibility of EQ controls can be switched separately to their appearance as sliders or knobs. The EQ display in Cubase Pro 10.5 can now superimpose the EQ curve from Reference and Secondary EQs in the Channel Settings window.Īside from colour, you'll discover some improvements in the way the built-in EQ is used and displayed in the Channel Settings window. But now, post- and pre-fade send slots are orange and light blue respectively, and the default palette for similar controls has been made generally brighter. I didn't have a problem with this, to be honest, especially as you could modify these colours in the Preferences.
Previously, active post-fader sends had a light, cyan-green complexion, where active pre-fader sends adopted a darkish-blue hue. Speaking of colour, the default background colours for active send slots has changed.
#Is it possible to crack cubase windows#
This invariably makes the channels look a bit like those on Pro Tools' mixer, which has enjoyed this ability for over a decade, but it is a welcome method of making MixConsole windows in Cubase a little easier to navigate, avoiding a sea of blue-grey on your display. MixConsole windows are more colourful in Cubase 10.5: it's now possible to add a background colour to channel strips in the same way you've been able to with track headers on the Project window for some time. Published January 2020 She's Like A Rainbow
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